Jan Schultsz

"Wandering through the history of piano music from its earliest to its most recent can be done excellently on the new grand pianos of C. Bechstein. This is unique and invaluable, especially if one wants to make use of all the new insights into music making."

Jan Schultsz

 

Jan Schultsz is one of the leading pianists and conductors of our time and professor for chamber music and Lied accompaniment at the Conservatory Basel in Switzerland.

Born in 1965 in Amsterdam Jan Schultsz received his first piano lessons at the age of 4 and his first horn lessons at the age of 10. He studied both instruments in Amsterdam and Basel. As a pianist he performs is regularly with singers and instrumentalists all over Europe and since 1996, when he appeard for the first time in Carnegie Hall, also in the USA. As a soloist he performed with the major orchestras in Basel and several chamber orchestras. Additionaly he was leading classes at the Bruckner Conservatory in Linz.

Jan Schultsz completed his education as an conductor in Basel, Bern and Zürich under Horst Stein, Manfred Honeck, Wilfried Boettcher and Ralf Weikert. Additionaly he participated in numerous conducting classes (amongst others with Jorma Panula) and studied at the Conservatory in St. Petersburg (Russia). He is winner of several prices and scholarships.

As a conductor Jan Schultsz worked with many European Orchestras, among them the Tonhalleorchester Zürich, the Sinfonieorchester Basel, the Mozarteum-Orchester Salzburg or the Orchestre de Chambre de Neuchâtel, of which he was musical director from 1999 until 2009, and worked with soloists such as Khatia Buniatishvili, Renaud Capuçon and Gaultier Capuçon. He is very enthusiastic about working with youth orchestras and conservatory orchestras. Jan Schultsz has acted as musical director at the Norske Opera in Oslo (Sweden) and was guest conductor at the Hungarian State Opera of Budapest and the Opéra Royal de Wallonie in Liège. Until 2012 he was conductor and musical director of the Opera Festival St. Moritz. Since 2008 he is director of the Engadin Festival, which resonates beyond Switzerland through its exciting programs.

Jan Schultsz participated in numerous radio and TV productions and recorded several CDs. His recording of Franz Schubert's "Die schöne Müllerin" with Werner Güra (tenor) was honored with the Diapasson d'or. This CD as well as his performance of  "Dichterliebe" and "Liederkreis" by Schumann was recorded on a C. Bechstein grand piano. From his earliest years Schultsz is a close friend of Bechstein.

Jan Schultsz sings on Bechstein

Jan Schultsz sings on Bechstein

On the CD cover, the pianist’s name is smaller than that of the tenor. How come? Just imagine Werner Güra singing Die schöne Müllerin without an accompaniment and you immediately understand the importance of a piano accompaniment in Schubert’s song cycles. Jan Schultsz, a trained pianist, hornist and conductor, is more than Güra’s expert partner in this Harmonia mundi recording from 1999. He truly “carries” the tenor, preparing the changes of registers and commenting his voice on the piano. Just like Güra, Schultsz does not exaggerate the expression but lets the music flow.Schubert is in good hands with Schultsz.

Kurt Malisch shares this opinion, writing in Klassik heute: “The pianist Jan Schultsz decisively contributes to this recording’s excellent musical quality. Accompanying a tenor on the piano is a crucial, yet awkward task, but Schultsz masters it with such sensitivity: he is audible without being loud; his presence is non-intrusive. Last but not least, the singing, slightly bell-like voice of the Bechstein grand piano provides this recording with a unique, pleasant touch.

An homogenous duo around the Bechstein

An homogenous duo around the Bechstein

As an article published in Stereoplay states: “Werner Güra and Jan Schultsz have recorded an excellent version of Schumann’s major song cycles”. Indeed, the two artists’ interpretation of Dichterliebe is set to become a reference work. Güra’s tenor voice and Schultsz on the Bechstein complement each other to perfectly render the ups and downs of Heinrich Heine’s unhappy love that swings from emotional shock to subtle/angry irony.

The duo also recorded an excellent version of Liederkreis: this work with poems by Eichendorff includes typically Romanesque features (loneliness, wood and lunar landscapes, foreign countries, unlucky love) but dispenses with Heine’s mood swing.  With this new CD, Güra and Schultsz demonstrate the improved depth of their interpretations since their first recording — a CD with songs by Schubert that was already of outstanding quality.

Jan Schultsz at the C. Bechstein Center

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