Cora Irsen

“Playing on the Bechstein in Liszt’s House is always a special experience for me. The sound is soft but crisp and precise. I can’t get enough of it – it’s addictive!”  

Cora Irsen

 

Cora Irsen, a pianist based in Weimar who performs all over Germany, is a passionate musician with a vast repertoire, most well-known for her outstanding interpretation of works by Franz Liszt. Winner of the International Franz Liszt Competition in Weimar and the International Chopin Competition in Göttingen, she has performed solo and as a chamber musician in various countries (Belgium, Italy, Portugal, Switzerland, the Netherlands, Poland, Malaysia, Australia and Japan, where she goes on tour every year). Her chamber music partners include Mirijam Contzen, Ralph Manno, Charles Neidich, Hartmut Rohde, Guido Schiefen, Jörg Brückner, Matthias Moosdorf, Erich Krüger and Wolfgang Emanuel Schmidt.  

Fascinated by Liszt for more than twenty years, Irsen recorded a CD in 2001 on the Bechstein that once belonged to the great composer and is still kept in Weimar. Her discography also includes Liszt compositions accompanying texts by Goethe recited by the actor Lutz Görner (2009), two CDs featuring works by Liszt interspersed with passages relating the composer’s biography (2011 and 2012), and a CD of Wagner transcriptions by Liszt.  

In 2010, Irsen initiated the festival Konzerte in Wort und Musik, where she plays works by Franz Liszt, Richard Wagner, Robert and Clara Schu­mann, Johannes Brahms and Frédéric Chopin, interspersed with anecdotes, excerpts from letters and biographical information on the composers and pianis­t Alice Herz-Sommer. This harmonious association between the lives and works of the artists is accentuated by her natural and emotional piano style.

Photos: © Guido Werner

Cora Irsen plays Liszt

Cora Irsen plays Liszt

Volker Hagedorn, music critic at Die Zeit, praised this CD when it was first released in 2001: “Liszt used this piano to compose, dream, teach and to flirt with ladies at the court of the Grand Duchess of Weimar. A gift from Carl Bechstein to the then fifty-seven year old musician, the grand remained Liszt’s favourite instrument for many years. The white-haired composer grew older playing it, surrounded by young pianists such as Eugen d’Albert and Karl Klindworth and musicians of the new generation such as Borodin, Franck and Grieg. Alexander Siloti once heard Liszt playing Beethoven’s Moonlight Sonata on this 1869 Bechstein. Although the instrument was ill-tuned, the maestro’s interpretation was so striking that Siloti — who latter had Rachmaninoff among his pupils — refused ever after to listen to anyone else playing the work and even left a concert hall where it was being played.

Since then, this historical piano has been refurbished… and tuned. The Weimar pianist Cora Irsen used it to record a CD of exceptional quality that revives the great master’s voice.” (Quoted from www.zeit.de/2002/13/Stimme_seines_Herrn)This praise remains valid for the new release of this CD on the H.A.R.M.S. label, which includes the following works: Bénédiction de Dieu dans la solitude, Les Jeux d’eau à la villa d’Este, Nuages gris, Legende No 2 and Liszt’s variations on Bach’s cantata Weeping, Lamenting, Worrying, Fearing.

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